This is why the Sony QX1 is still best in its class a decade after its release
Jul 16, 2024
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Lately, we’ve seen renewed interest in turning one’s smartphone into a “real camera”. Recently, we’ve seen announcements from both Alice Camera, which is finally shipping to customers, and newcomers SwitchLens.
But one of the earliest cameras of this type was the Sony QX1, released in 2014. It came with a massive (relatively speaking) APS-C sensor. It’s a feat that’s not been matched since, and that’s why, in this video, James at Snappiness tells us why he believes, it’s still best in its class, a decade later.
Sony QX1 – Why was it made?
In the early days of smartphones, cameras were pretty basic. They were improving, but the computational photography and AI-powered enhancements we have today simply didn’t exist back then. It seemed like the only way to get high quality photos using a smartphone was a separate smartphone-controlled device.
Sony followed through on this concept with the Sony QX1. This was a unit mounted to your smartphone that provided it with a Sony E-mount lens mount and a small popup flash. You essentially used your smartphone as the camera’s rear LCD, without a viewfinder.
It was quite impressive, especially for 2014, with a 20.1-megapixel APS-C-sized sensor. It only had 25-point contrast AF and it was limited to a relatively slow 3.5fps continuous shooting, but if you wanted to use your Sony lenses with your smartphone, this was the way to do it.
The concept was great, but it was perhaps a little too ahead of its time and a little too niche. This was still a time when most Sony E-mount lenses were still made by companies that weren’t Sony. And Sony wasn’t even the first to try it.
The burgeoning smartphone photography revolution was also still in its early days. This was when we were just starting to see advanced features like optical stabilisation, slightly larger sensors and multiple camera modules.
Will the concept take off now?
Sony’s also not the last to try it. Lately, we’ve seen both the AI-powered Alice Camera and the completely-lacking-in-anything-resembling-AI SwitchLens. Both of these are offering a lot of promise that has gotten people very excited. Alice Camera is now finally shipping cameras to backers, and it looks like it’ll be going retail soon.
Alice Camera’s an interesting one, because it updates the concept to the very latest practical and useful tech in the area. Its AI-powered computational photography enhancements, even if largely supplied by your smartphone, are part of its big selling point. And that’s going to be an absolute win for many.
What makes it interesting, though, is the fact that SwitchLens seems to be the antithesis of Alice, with no AI-enhanced superpowers whatsoever. But so far, that’s helped it raise over $500,000 through its Kickstarter campaign so far – more than double that of Alice’s crowdfunding campaign.
Maybe it seems that those who want to use “real lenses” with their phones don’t want the latest and greatest AI-powered features after all.
Also a little interesting and somewhat disappointing is the fact that both of these are Micro Four Thirds cameras. Don’t get me wrong, as an MFT shooter, that’s great for me. But it would be nice to see an APS-C sensor unit come to smartphones again.
That’s ultimately the main thing that keeps the Sony QX1 best in its class. At least on paper. A real-world side-by-side of the QX1 with either of the two recent releases would be very interesting.
John Aldred
John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.
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2 responses to “This is why the Sony QX1 is still best in its class a decade after its release”
Pentax release the k-01 and it was a flop in the market.
But take a good look at the design and now take a good look at Sony’s FX three cinema camera.
I told Pentax If they had added professional video features to that k-01 They could corner the independent filmmaking market.
This little camera by Sony above flopped in the market..
For the same reason.
It should’ve been a cinema camera.
But other technologies weren’t developed enough to support using a camera with that form factor.
Here’s what I would change..
Put a rotating collar (camera cage ) around that camera that has 1/4 20 thread mounts and a built-in Arca Swiss plate.. Make the phone holder swappable. Leave the battery exposed on the back so you could put in bigger batteries or swap batteries easily
Release a separate, intelligent, hot shoe EVF that is compatible with the entire Sony mirrorless line esp cinema cameras.
Dual card slots, NFC, wifi, usb-c compatible
Release an improved app for iOS and android.
And above all else..
Keep the controls on the camera simple
Apurture, iso, WB, shutter, variable nd And make everything else accessible through the app…
Inbody image stabilization
And sell it as part of the FX cinema line of cameras with all the compatible codecs
Try and remember how close Pentax came but missed..
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I remember this and the Olympus micro 4/3s version. They were interesting. I think the concept, with an updated sensor and autofocus system, could be great if it leverages today’s more powerful phones.